Again a single piece of public art placed in the Piazza has started a train of thought about sculpture and public art. The piece is again a large bronze, this time of a fantasy hunting scene.
Impressive it certainly is, the fantasy and representational aspects of the work do not interest me much and it is only really strong in design from two viewpoints but the work interested me enough to find out more about the artist. His name is Dashi Namdakov and he comes from a remote region of Russia called Trans Baikal an area sandwiched between Mongolia and Siberia.
I have been thinking a lot recently about how most art today strives for this sort of appeal. The art audience want to walk around a gallery receiving instant hits from the art; rarely does anyone spend an hour looking at a painting or sculpture and most modern art of today would start to bore you after 5 minutes.
|Art critic Robert Hughes|
“We have had a gutful of fast art and fast food. What we need is slow art, art that grows out of modes of perception and making, whose skill and doggedness makes you think and feel. Art that isn’t merely sensational, that doesn’t get its message across in 10 seconds, that isn’t falsely iconic but art that hooks onto something deep running in our natures.”
I am not trying to belittle Namdakov’s huge talent but if I had to choose between one of his fantastic animal sculptures and Picasso’s goat sculpture, the goat would win every time.
|Picasso's Goat sculpture|
When it comes to line, for me Picasso is the great master of our age, when I see that film of Picasso painting and he starts with a few simple lines down the canvas the hairs on my neck stand up.
Undoubtedly Namdakov has a great graphic sense of line but for me it is often slick and sometimes even sickly and it is not coming from the same place as it is with Picasso.
|Horse by Namdakov|
|Bronze by Dashi Namdakov|